AU Study Blog

Thursday, September 30, 2010

The Book of Kells: is the most recognized and most remarkable artifact of medieval Celtic art. An Irish manuscript containing the Four Gospels, a fragment of Hebrew names, and the Eusebian canons, known also as the 'Book of Columba'. It features page after page of lavish, colorful lettering, illumination, decoration and illustration.

Alliterative Verse: a form of verse that uses alliteration as the principal structuring device to unify lines of poetry, as opposed to other devices such as rhyme; stemming from the Germanic lands and evidenced in Anglo-Saxon epics.

Affective Piety: another way of saying someone is reliant on dramatic gestures of faith.

Mystical Experience:
  1. Ineffablity (feeling, not intellect)
  2. noetic quality ("perceive")
  3. Transcience
  4. Passivity
  5. experience of unity
  6. timelessness
  7. new understanding of self
  8. ascension through stages: purgation, illumination, union with God.

Norman Conquest: William the Conqueror and the Normans conquer England in 1066.

Breton Lai: a form of medieval French and English romance literature. Lais are short (typically 600–1000 lines), rhymed tales of love and chivalry, often involving supernatural and fairy-world Celtic motifs.

Lanval: promises not to reveal the identity of his mistress, which he breaks when Guinevere accuses him of having "no desire for women".

Romance: fantastic stories about the marvelous adventures of a chivalrous, heroic knight errant, often of super-human ability, who often goes on a quest.

Courtly Love: An idealized and often illicit form of love celebrated in the literature of the Middle Ages and the Renaissance in which a knight or courtier devotes himself to a noblewoman who is usually married and feigns indifference to preserve her reputation. The courtly lover existed to serve his lady.

Mary as Intercessor:

Geoffrey of Monmouth: Writer and author who created the main framework of Arthurian legend and the figure of Arthur as a semi-historical British king.

Petrarch: Italian scholar; known as "Father of Humanism"; known for being one of the first people to refer to the Dark Ages.

Sir Gawain: has the reputation of being a great knight and courtly lover. He prides himself on his observance of the five points of chivalry in every aspect of his life. Gawain is a pinnacle of humility, piety, integrity, loyalty, and honesty. His only flaw proves to be that he loves his own life so much that he will lie in order to protect himself. Gawain leaves the Green Chapel penitent and changed.

King Arthur: The king of Camelot; steps forward to take on the Green Knight's challenge. At the story’s end, Arthur joins his nephew in wearing a green girdle on his arm, showing that Gawain’s trial has taught him about his own fallibility.

Bertilak de Hautdessert: The sturdy, good-natured lord of the castle where Gawain spends Christmas; associated with the natural world but also with the courtly behavior of an aristocratic host. Boisterous, powerful, brave, and generous, Lord Bertilak provides an interesting foil to King Arthur. At the end of the poem we learn that Bertilak and the Green Knight are the same person, magically enchanted by Morgan le Faye for her own designs.

Green Girdle: Gawain's acceptance of this teaches him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error; reminds him of his weakness. Gawain curses the girdle as representing cowardice and an excessive love of mortal life. He wears it from then on as a badge of his sinfulness.

Green Chapel: the place where Gawain must meet the Green Knight a year later to offer his own head in the challenge.

Blank Verse: a type of poetry, distinguished by having a regular meter, but no rhyme.

Sonnet: a fourteen-line poem in iambic pentameter with a carefully patterned rhyme scheme.

St. Thomas Becket: "The Canterbury Tales" is a story-telling contest by a group of pilgrims as they travel together on a journey to the shrine of St. Thomas Becket at Canterbury Cathedral.

Wife of Bath: describes her two “bad” husbands then tells of a knight who rapes a girl and is then judged by Queen Guinevere--what do women want? Women most desire to be in charge of their husbands and lovers.

"Olde Wif": old hag that gives the knight the correct answer that saves his life but forces him to marry her; he is repulsed and wishes her beautiful but lets her choose...she then become beautiful AND good.

Chauntecleer: master of all roosters; has a upsetting dream about being murdered and tells his wife; tells the stories of men who dreamed of murder and then discovered it; later captured by fox but outsmarts him by telling him to boast to his pursuers.

Pertelote: hen that Chauntecleer loves the most; believes his dream is just indigestion and gives him laxatives.

Fabliau: French, comic stories under the influence of the fable; deals realistically and satirically with middle-class or lower-class characters.

Beast Fable: short, simple narrative with speaking animals as characters designed to teach a moral or social truth (Nun's Priest's Tale).

Canterbury Cathedral: one of the oldest and most famous Christian structures in England.

Sir Lancelot: Arthur's best knight and the commander of his forces; has an affair with Guinevere

Guinevere: Arthur's wife and Lancelot's lover. Guinevere encourages moral and chivalrous behavior from the knights, and she dearly loves and is loved by both Arthur and Lancelot.

Lady of the Lake: lady who give Excalibur to Arthur when he becomes King.

Avalon: is a legendary island featured in the Arthurian legend, famous for its beautiful apples; place where Excalibur was forged.

Wars of the Roses: the civil wars fought in medieval England from 1455 to 1487 between the House of Lancaster and the House of York.

Chivalry: idealized code of conduct for medieval knights, chivalry exalted courage and courtesy in battle, courtesy towards women, generousity to one's inferiors and loyalty to one's lord.

Sir Mordred: notorious traitor who fought King Arthur at the Battle of Camlann, where he was killed and Arthur fatally wounded.

Excalibur: sword of Arthur that he pulled out of the stone, signifying that he would be the mightiest king of his time.

William Caxton: English printer, translator, and publisher; first to introduce a printing press into England.

Battle of Bosworth Field: the penultimate battle of the Wars of the Roses, the civil war between the House of Lancaster and the House of York.

Henry VIII: his role in the separation of the Church of England from the Roman Catholic Church; establishing himself as the Supreme Head of the Church of England; had six wives—two of whom he had beheaded

English Reformation: started in the reign of Henry VIII. The English Reformation was to have far reaching consequences in Tudor England. Henry VIII decided to rid himself of his first wife, Catherine of Aragon, after she had failed to produce a male heir to the throne. He had already decided who his next wife would be - Anne Boleyn. The Roman Catholic Church would not allow it, so he created the Church of England, which broke away from the authority of the pope.

Fall of Constantinople: the capture of the capital of the Byzantine Empire which occurred after a siege laid by the Ottoman Empire, under the command of Sultan Mehmed II.

Elizabeth I: Queen of England and Ireland between 1558 and 1603. She was an absolute monarch and is considered to be one of the most successful rulers of all time; restored Protestantism.

Armada: the Spanish fleet that sailed against England under the command of the Duke of Medina Sidonia in 1588, with the intention of overthrowing Elizabeth I of England.

Spenserian Stanza: a stanza with eight lines of iambic pentameter and a concluding Alexandrine with the rhyme pattern abab bcbc c; "the Spenserian stanza was introduced by Edmund Spenser in The Faerie Queene"

Redcrosse Knight: "holiness"; must find "truth" (Una); On another level, though, he is the individual Christian fighting against evil--or the Protestant fighting the Catholic Church. For a Christian to be holy, he must have true faith, and so the plot of Book I mostly concerns the attempts of evildoers to separate Redcrosse from Una; he must defeat villains who mimic the falsehood of the Roman Church.

Una: "truth" Redcrosse's future wife;. She is meek, humble, and beautiful, but strong when it is necessary; she represents Truth, which Redcrosse must find in order to be a true Christian; Elizabeth(?)

Archimago: Archimago is a sorcerer capable of changing his own appearance or that of others; in the end, his magic is proven weak and ineffective; represents "false hope"--impersonates Redcrosse to Una.

Error: Ignoring her warnings, Redcrosse enters and is attacked by the terrible beast, Error, and her young. She wraps him up in her tail, but he eventually manages to strangle her and chops off her head. Error's young then drink her blood until they burst and die. "Her vomit full of bookes and papers was (I.i.20)." These papers represent Roman Catholic propaganda that was put out in Spenser's time, against Queen Elizabeth and Anglicanism.

Duessa/Fidessa: "sensuality", "falsehood"; 2-faced; a witch; whore of Babylon; the opposite of Una, she represents falsehood and nearly succeeds in getting Redcrosse to leave Una for good. She appears beautiful, but it is only skin-deep;

Lady Pride: Lucifera, pulled by six beasts representing the other deadly sins.

Despair: a gloomy old man; he causes Terwin to kill himself and Redcrosse wants to have revenge; argues that death brings an end to sin so its good; knows of Redcrosse's sins and almost persuades him to take his own life until Una steps in and pulls him out. The truth of God's mercy is greater than despair, not the strength of the lion.

Dragon: "all evil in the world"; has impenetrable scales; Well of Life saves Redcrosse when Dragon almost burns him; killed when sword is thrust into his throat.

Catchword: a word printed at the top of the page of a dictionary or other reference book to indicate the first or last item on that page

Chain Lines: Watermark-like lines perpendicular to laid lines in a sheet of hand-made or laid paper.

Incunabula: a book, or even a single sheet of text, that was printed--not handwritten--before the year 1501 in Europe

Manuscript: the form of a literary work submitted for publication; handwritten book or document

Vellum: mammal skin prepared for writing or printing on, to produce single pages, scrolls, codices or books.

Beowulf

  • comitatus: bond of friendship structure (king unites with warriors)
  • Exile motif
  • God as warrior
  • Earth as old and decaying
  • Ubi-sunt motif: "where are those who are before us"; meditation on life's transience
  • Glory gives immortality
  • Blurring of Pagan & Christian
  • Heroic Code: loyalty to lord, fight for him, remain with him
  • royal generosity
  • kinship --> king
Beowulf - The protagonist of the epic, Beowulf is a Geatish hero who fights the monster Grendel, Grendel’s mother, and a fire-breathing dragon. Beowulf’s boasts and encounters reveal him to be the strongest, ablest warrior around. In his youth, he personifies all of the best values of the heroic culture. In his old age, he proves a wise and effective ruler.

Wiglaf - A young kinsman and retainer of Beowulf who helps him in the fight against the dragon while all of the other warriors run away. Wiglaf adheres to the heroic code better than Beowulf’s other retainers, thereby proving himself a suitable successor to Beowulf.

Grendel - A demon descended from Cain, Grendel preys on Hrothgar’s warriors in the king’s mead-hall, Heorot. Because his ruthless and miserable existence is part of the retribution exacted by God for Cain’s murder of Abel, Grendel fits solidly within the ethos of vengeance that governs the world of the poem.

Grendel’s mother - An unnamed swamp-hag, Grendel’s mother seems to possess fewer human qualities than Grendel, although her terrorization of Heorot is explained by her desire for vengeance—a human motivation.

If the lord is killed...the murderer must pay a "death price", a payment to the family to even the death --> life for life...kill the murderer (Cycle of Revenge) Blood vengeance.

Author is a Christian but was writing about pagan heroes.

"Man at war with a hostile world and his inevitable overthrow in time" - J.R.R. Tolkein

Eventually you will die...no matter how strongly you lived.
Resisting a hostile world:
  • strength
  • courage
  • friendship bonds
  • loyalty
"A warrior will sooner die than live a life a shame." - Beowulf

Heroism of Beowulf in conflict with Christianity:
  • reward is in this life, not heaven
  • cycle of revenge
  • pride: glory of winning for self
Anglo-Saxon MSs
Cotton Vitellius A.xv (Beowulf & Judith) - one of four major Anglo-Saxon literature codex...most famous the Beowulf manuscript

Historian's Craft

Collection and Document Analysis

-author(s)
-title(s)
-date
-location of source
-location within source (pg number, box number, etc)

Footnote example
1. Drew Gilpin Faust, "Living History," in Shapers of Southern History, edited by John B. Boles (Athens: University of Georgia Press, 2004), 220.
2. Faust, "Living History," 223-227.

Wednesday, September 29, 2010

FRANKENSTEIN

By: Mary Shelley

Why written?
  • holiday entertainment in Geneva, Switzerland
  • exchange of ghost stories
Victor Frankenstein
  • childhood
  • inward struggle
  • interesting format...letters, storytelling, stories within stories
  • gives reason to tell the story..to teach a lesson, give warning
Walton
  • writes letters to sister (M.W.S)
  • lonely, longs for a friend (that is smart and sensitive)
  • not very educated; read for his education
Clerval
  • nurses F. back to health
  • old childhood friend
  • cheerful, sympathetic
Monster
  • music affects him...brings tears of sorrow and delight
  • -able to experience beauty and recognize it
  • learned very

Frankenstein is terrified of monster suddenly when it comes alive
Reaction: doesn't meet expectations, life scares him (beautiful to HORRIFIC)

Monster's behavior: reaches toward F., grinning.

Victor Frankenstein
  • Mental state / physical state: SICK
  • He's touched something sacred
  • Suddenly, its out of his control...no longer a controlled lab experiment
  • Feels responsibility for monster's actions (William's, Justine's, Clerval's deaths)
  • "Challenge" mindset rather than "outcome"
  • Motivations: wanted to stop or turn around death (Caroline's)
  • desire for some grand transformation / promise
  • wanted to 'play God'...desire for gratitude by creatures
  • ..."I brought you into this world" Father
  • ...emotional tie with creature
  • ...create in order to control / gratitude
Painting at F.'s home of Caroline attending her father's coffin.
- Why have picture of death & despair in home?
~ reminds father of why he loved Caroline?
~ Father's desire for gratitude and control also?

MOVIE

scarier--horror film
ppl know about experiment--tell him he's crazy- this angers him
F. is much more irrational and angry...but in good health after
monster's brain in abnormal
F. is excited about monster coming alive
fire make it evil

Poetry of John Keats

By: John Keats

Ode on a Grecian Urn
http://www.sparknotes.com/poetry/keats/section4.rhtml

Picture of couple almost kissing
  • Immune to age/change
  • No fights
  • No loss
  • They stay in that perfect moment of love
  • Leaves will never fall
  • She'll always be fair
  • BUT town will always be empty
  • Art: love never fades, stays perfect...COLD
  • Life: change, WARMTH
  • Warmth or cold?

Ode to a Nightingale

He is too happy
Escape through WINE
  • drink to forget
  • leave the painful world
  • escape
Escape through IMAGINATION
Escape through DEATH
Do I wake or sleep?

To Autumn

Drowsy, lazy; without much care

Ode: Intimations of Immortality...

...from recollections of early childhood"
By: William Wordsworth

-Nature
-About childhood in general, not his particular experiences
-Loss: change, something is missing
-Pre-existing state: moves farther and farther away
-Human nature and earth causes change
~Mind = childlike
~Body = adultlike
-We are continuously learning how to be in the world...by imitating others (adults)
-Wordsworth has become good at imitation but it is a lie to what his soul is
-Children have a power that adults don't have
-Children have all the answers, not adults
-Kids want to grow up but they shouldn't want that--there is far more freedom in childhood

Tintern Abbey

By: William Wordsworth

Setting: Summer time

About: Nature...
  • refuge
  • always brought joy--it has changed
  • extremely important
  • religion / spirituality connecting with nature
Returning to a well-loved spot from "thoughtless" youth

Instead of experiencing the world through the physical body - touch, smell, etc - in nature, we experience it through the soul (spiritually).

Wordsworth realizes what nature has done for him in the past and anticipates what it will do for him in the future.

Nature guides him.
Everything pure about him is from nature.

He brings his sister along to share the experience with him but with a childlike view - enjoying together.

He strongly believes in the power of nature in times of trouble or chaos. He wants her to realize that also.

Themes of Romantic writing:
  • nature: powerful, a guide, a moral force, a protector
  • childhood
  • imagination: memory
  • spiritual

John Smith Captivity Narrative

-Becomes an Indian himself and is accepted by his tribe (captors)
-Has a growing fondness and respect for Indians
-Learns much of their ways
  • learns to hunt
  • learns how they fight
-Doesn't complain as much as Mary R.


Comparison of Captivity Narratives

Similarities & Differences between Captivity Narratives of Mary Rowlandson & John Smith

- - - Battling forces of nature
- Relations with Indians
- Food
- Tribal customs
- Difficulties
- Attitudes toward hardship/Indians
- Religion
- Gender
- Survival techniques
- Reasons for capture: Replacement vs. Ransom
- Attitude due to reason for capture
- Attitude toward Indians and captivity experience
- Time period
- Age
- Time spent with captors…3 months vs. 4 years
- Different kinds of Indians

p. 57
p. 58 Christianity
p. 59 free man
p. 47-48

Captivity Narrative: MaryBulleted List Rowlandson

  • Separation – from her culture
  • Transformation – reduced to a bestial level, filthy trash, relationship with God changes
  • Return – what is she like after? Is she more assertive?

Captivity Narrative: John Smith

  • Separation – from his culture
  • Transformation – dramatic change in looks, attitude toward Indians, ignorance toward nature
  • Return – Looked like an Indian, walked like an Indian, but still has revenge later on—an American, no longer an Englishman. Red Rover—early settlers need to be strong enough to burst through Indians.

"Narrative of Mary Rowlandson"


Rowlandson's survival:
  • fear of death
  • strength of will / survival instinct
  • family --> hold on for them (injured child with her)
  • faith --> God is responsible for my survival
  • Native Americans
  • psychological element / lies
Reverend Increase Mathers (Puritan preacher) helped her write it.
  • agenda?
  • edited?
  • harsh terms toward Indians
Kindnesses
  • allowed to visit children
  • allowed some comforts
Cultural differences
  • white women are weak and well-behaved
  • white women don't beg
Does she become acculturated?
  • she eats their food
  • she learns to steal...because of instincts?
  • she is pleased when she trades with them
  • ransom is decided by her